No Mans Sky Upload Memories Cease Production Attempt to Take a Cube

Development of 2016 video game

No Human'south Sky is a 2016 video game developed by the British development studio, Hello Games. No Man's Sky allows the player to partake in iv principal activities—exploration, survival, combat, and trading—in a shared, deterministic, procedurally generated open universe, which contains over xviii quintillion (i.8×x ^nineteen ) planets each with their ain unique surround and flora and brute.

The concept of No Human'southward Sky is based on a long-time want by How-do-you-do Games' founder, Sean Murray, to create a space exploration game that captured the vision and optimism of science fiction writings and art of the 1970s and 1980s. Seeing the game as a landmark title for the studio, Murray led Hello Games towards fiscal stability with their Joe Danger titles and then began working on the game with a small squad of iv. The game was formally revealed during the 2013 VGX Awards, following which Murray brought on more staff to complete the title over the next three years.

Much of the game uses parametric mathematical formulae that can simulate structures institute in nature to craft near all aspects of the game's universe. Flora and fauna are crafted from similar routines that combine human-supplied art and pre-divers structures into new lifeforms. The audio and music in the game is likewise procedurally generated, with routines and audio created by Paul Weir and music provided past the band 65daysofstatic.

Concept and inspiration [edit]

Hello Games' founders Sean Murray (left) and Grant Duncan

The onset of development for No Man'south Heaven arose from How-do-you-do Games' co-founder Sean Murray sometime during the development of Joe Danger 2 (2012), which he compared to a mid-life crisis for himself.^[one] Murray, a former developer at Criterion Games for the Exhaustion series, worried the studio would be falling into a heat of producing sequel after sequel as was the case at Criterion. When Hello Games had problems with an American publisher, Murray realized they had an opportunity to create a completely new title based on a concept he had since he was a child, when he had aspirations of being an astronaut, envisioning oneself as being the starting time human to step onto an alien planet.^{[2] [3]}

No Man's Heaven was an attention-getting concept that the studio had since inception. Murray described that in bringing on board Dave Ream, the team's creative manager, that Murray described how there are skyscrapers in the globe that are well visible only built on standard designs, and and so there are smaller, minimalist architectural designs, which is the direction that Murray wanted to take the studio. Ream agreed, only insisted that the studio at some point would make the game equivalent of a skyscraper, a game they could develop without any limitations. This proverbial game, "Projection Skyscraper" was kept in mind as the studio began to expand and acquire the necessary finances to pursue other titles besides Joe Danger.^[two]

"Elite was procedurally generated, and so were lots of games at the fourth dimension, similar Star Control and Freelancer. Information technology'due south nearly like nosotros've gone dorsum to those games. We're trying to explore ideas most openness, and vastness, and freedom."

Sean Murray, Hullo Games co-Founder^[iv]

Murray wanted to copy the feelings of infinite exploration seen in older procedurally generated games, including the galaxies of Star Control Ii, Elite, and Freespace. ^{[four] [5]} Elite was a memorable part of Murray'southward childhood, every bit a similar open-world space exploration game.^[6] He realized that real exploration meant "seeing something that no-one's seen before and for your feel to be unique", rather than pre-planned content and puzzles.^[7] His concept for No Human's Heaven was likewise influenced past the "simplicity and elegance" of Journey's game design.^[eight]

Murray's tone for the game was influenced by scientific discipline fiction works of the 1970s and 1980s. Murray attributes ideas from the "Large Iii" scientific discipline fiction authors—Isaac Asimov, Arthur C. Clarke, and Robert Heinlein—whose stories he considered "fantastical - it'south vibrant, exciting and the unexplored".^[9] Murray also considered Frank Herbert'due south Dune influential as it "paints this movie of a world that's and then believable".^[8] Some other avenue of influence was the country of current science fiction media, which Murray compared to similar commentary from Neal Stephenson on how well-nigh mainstream works focus on a dystopian story; for Murray, he wanted No Human's Sky to be much more optimistic and uplifting.^[10]

Murray was too inspired by the encompass art paintings on these scientific discipline fiction works from the period, which typically were done by freelance artists and bore little connexion to the story within but fabricated for visually attracting scenes.^[11] Duncan credits much of No Man'south Sky ' art influence from the work of Chris Foss, who drew covers for many science fiction books and magazines and had a significant influence in science fiction motion picture and video games. Duncan noted that "he created this kind of art when everyone else was creating blackness starfields, greyness deadening monolithic spacecrafts".^[12] Other fine art influences included John Harris, another book and video game cover creative person; Jean Giraud (aka Mœbius), a science-fiction and fantasy cartoonist; and Ralph McQuarrie, a concept artist for several major Hollywood films.^[12] Duncan also cited the films of Ray Harryhausen equally an influence in terms of the exploration of the unknown.^[12] Murray noted the iconic "binary sunset" shot from the original Star Wars film, which featured 2 suns rising on the planet Tatooine equally the "perfect alien prototype" that captured the nature of scientific discipline fiction.^[8]

Production [edit]

With the success of Joe Danger and its sequels, Murray was able to spend a few days each week for nearly a year to develop the core engine of No Man'southward Sky in secret from the rest of the squad. Once the engine was completed, Murray brought in a pocket-size 4-person squad to work on the game straight, while Joe Danger 2 was existence developed by the residual of the company. They worked in a spare room, lining the walls with science fiction imagery to assistance inspire them. Their work was kept in secrecy from the balance of the development team, leading to some tension within the offices, though Murray had washed this specifically later on seeing how small exploratory groups did not piece of work well at Criterion Games. Further, Murray was concerned about describing the game too much, and fears that fifty-fifty teasing near the title would lead to misconceptions most the scope and nature of the game. Ultimately, Murray was encouraged by Geoff Keighley to premiere the title at the 2013 VGX awards,^[13] and in training, created the short teaser which they shared with the residual of studio days earlier the awards prove. Every bit development continued, more of the team was brought on board to help complete the game, with the concluding team existence composed of thirteen members.^{[2] [14]}

This VGX teaser brought much attention to the championship from the gaming printing.^{[fifteen] [xvi] [17] [18]} Duncan noted that following the reveal, he found information technology "incredible how many developers came upwards to united states of america after, and they were all saying this is the game I always wanted to exist making, or I started working on a game like this".^[12]

A flood wiped out most of their Guildford part and equipment on Christmas Eve 2013 only they were able to recover the work they had done already and resumed development shortly thereafter.^[19] Murray later acknowledged that he had been tempted to cancel No Man's Sky at this point, only the flooding helped re-solidify the Hi Games' team, equally prior to the flood, the team was even so split betwixt those working on No Man's Sky and those continuing the Joe Danger series. Everyone in the company came together to help rebuild their office and estimator equipment, giving new vigour to the project.^[20]

Just prior to the VGX showing, Murray had shown the title around to diverse publishers, and Sony, particularly Shahid Ahmad, Sony'due south head of independent games evolution in Europe,^[xix] expressed strong interest in having the title for the PlayStation 4. Murray stated that although Sony offered to provide financial support, he and Hello Games only wanted Sony's commitment to help market the game, including having the game formally introduced at Sony's main media event during the upcoming Electronic Entertainment Expo 2014 (E3); until that signal, no independently developed game has been demonstrated during these centre-stage events.^{[eleven] [21]} Sony'southward UK marketing manager Fergal Gara has stated that Sony is fully committed to supporting the title, treating the game as if information technology were from one of their first-party developers and considering a potential retail release of the game.^[22]

Hello Games prepared a six-planet sit-in that would be used for the E3 issue and afterward used to showcase the game for the media while the full version – nearly ever in a abiding state of flux due to the procedural generation approach – was being developed.^[11] The game was announced at E3 2014 with plans for a timed exclusive release on the PlayStation iv,^{[23] [24]} and would have later been brought to Microsoft Windows.^[25] However, speaking to the media at the E3 2015, Murray stated that they at present plan to release the title simultaneously for both platforms, though did non specify a release date.^[26] Murray stated that unlike more than traditional games, where completion of the fixed number of levels and other assets can exist treated as an assembly line and schedules projected from that, the interconnectivity of all the various systems within No Man's Sky requires them all to exist working together to make the game successful, and would only experience comfortable on assigning a release date in one case that is completed.^[21]

Since its reveal, Hello Games have showcased the game to numerous members of the press and video game journalists. Many of these demonstrations have provided possible ideas for gameplay additions equally feedback, such as adding country vehicles to explore planets or allowing players to construct buildings on planets. However, Hello Games accept opted to avert such feature creep, with Murray stating that they wanted to be able to deliver on the large, grand vision they had, and to add more features would accept required a larger squad and more funding, something they did not want to do.^[21] Murray specifically wanted to avoid base of operations building initially every bit this would discourage players from exploring the rest of the universe.^[27] Following release, Hello Games does program to add together base building and the ability to purchase and customize larger freighters in future updates.^[28]

Game engine [edit]

Most of the universe in No Human'south Sky is procedurally generated, including solar systems, planets, weather systems, flora and animal on these planets, the behaviour of these creatures, and artificial structures like buildings and spacecraft. The generation arrangement is based primarily on providing a unmarried seed number to their deterministic engine which would create all the features of the universe exactly the same way every time this process is run with the same seed using the repeatability of pseudorandom number generators. Ane generator is used to create the universe, plotting the position of the stars and their stellar classification, using the phone number of i of the Hello Games' developers equally the founding seed.^{[11] [29]} Pseudorandom numbers generated from the position of each star are used to define the planetary system the star has, the planet's position is used as a seed to ascertain the planetary features, and and so on.^[11] This arroyo, used in early days of reckoner games to avoid high memory or disk use, avoided the demand to craft every planet and store this information on a server; this besides assured that players tin can always revisit the same planets, and share that planet with other players who would find the same features.^[11] The planet terrain generation code, for example, is but ane,400 lines of lawmaking; as described past Murray, the lawmaking was tweaked as to make certain that planets generated visually interesting but navigable terrain, equally some early builds would produce wildly stunning planets that were impossible to traverse, while other fixes made planets wait flat and dull.^[11] Hullo Games had originally planned to use a 32-flake seed number, which would have generated effectually four.three billion planets, just decided to use the 64-bit number to demonstrate the scalability of their game, and partially in response to online forum comments that doubted that How-do-you-do Games could deliver a game of that size.^{[30] [31]}

The deterministic approach also allows Hello Games to optimize the rendering of the game, every bit what is visible to the player can be determined directly through these generation algorithms.^[xi] Planets are rendered using voxels with procedurally-generated textures while flora, fauna, and other surface features use polygon-based rendering as to maintain a target 30 frames per second along with middleware like the Havok physics engine for animation and other dynamic features.^[32] The on-the-fly construction of a world did create some difficulty with features similar rivers, which in virtually virtual environments are congenital by using a physics engine to track the period of h2o down a gradient. Murray and his team developed a brute force solution to include rivers and similar features without having to return out a large-plenty department of mural to perform the same calculation.^[11] The full code size for the entire game was effectually 600,000 lines of lawmaking past Feb 2016.^[3] The entire game takes up only six gigabytes on a blu-ray disc, the bulk being sound files.^[33]

I of the more challenging feats was to create random terrain on spherical planets in a reproducible fashion, allowing a player to leave and return to the planet after visiting others as part of the need to give the player a sense of scale. Initial efforts used a flat map while the player was on the planet, and then as they left the planet, making a snapshot of it to wrap around the planet's sphere to create the illusion they had left the spherical map, but this led to issues with overlap at the edges of the map and terrain generation issues. The team and then looked at the problem of map projections that had already been solved by cartographers. Some projections like the Mercator projection would take fit well with the generation system merely would be costly in computation fourth dimension to present to the player. Others, like Peirce quincuncial projection, while being better suited for fast computations, would have limited the blazon of larger terrain features they could generate to deal with edge overlaps. With no suitable apartment projection, Hello Games took the more challenging step of actually simulating planets in 3 dimensions, edifice each planet as a cube then using various mathematic tricks to bandage the cube's project onto a sphere. Additional terrain features similar cliffs and caves were fabricated by generating positive and negative spaces inside the cube's mapping, and incorporating those into the spherical transformation.^[34]

No Man's Sky uses parametric generation equations that mimic natural forms in nature, such equally L-systems that can create a variety of types of copse.

The development squad built the planetary feature generation system atop this where they would beginning manus-create core structures and the art associated with those – such as a basic skeleton and peel for a creature – so let the algorithm to make randomized changes to that, equally to make a broad multifariousness of creatures, mimicking the diversity of species resulting from evolution on Globe. They made certain the elements of this generation process reflected the setting – creatures and plants inhabiting a planet that contained blue-coloured minerals would be tinted blue as well.^[35] The generation organization uses deterministic parameterised equations and algorithms previously developed past biologists and physicists that can mimic a vast assortment of natural forms and shapes. For example, the engine uses L-systems, fractal equations developed by Aristid Lindenmayer in 1968 that can create structures that resemble many algae and constitute lifeforms.^[36] This is coupled with engines similar SpeedTree to create additional variety to the flora.^[37]

Other generation schemes were made through random selection in a deterministic manner, followed by tuning to create a realistic outcome. Creatures were often generated by mixing and matching random parts from a library, then adjusting the underlying skeleton so that the beast appeared realistic; a beast with a tiny torso could not support a giant caput, for example.^[38] To create behaviour for the creatures generated past the procedural generation arrangement, the system tags objects that it creates, and then assigns creatures various affinity levels based on these tags; creatures are then driven to find objects they like and avoid those they dislike, and allows the artificial intelligence aspects of creatures to communicate directly to coordinate their respective movements.^[3] Duncan describes this equally generating circuitous patterns on relatively unproblematic rules that create surprising results; he describes being surprised when, later hunting avian creatures over a trunk of water to have one of the kills eaten by the sudden appearance of a shark-similar creature.^[three]

The generation system tin create a multifariousness of planet ecosystems, including differing rotational periods, the end-effects of natural erosion, and behavioural cycles for the creatures.^{[xiv] [39] [40] [41]} The amount of life on planets are factored based on their distance from their local sun, with planets far outside the habitable zone typically being barren of life.^[xiv] Not all stars have habitable planets, but still offer potential opportunities for resources to the player if they can survive its inhospitable atmosphere.^[42] The developers aimed for a 90–ten rule, with around xc% of the planets being uninhabitable, and of the x% that practise support life, 90% of those only include mundane lifeforms, making the planets that thrive with a vivid ecosystem rare.^[43]

Some facets of realism take been conceded in favor of promoting better gameplay. The planetary generator system does not generate any gas giants, as Murray wants every planet in the game to be explorable.^[29] Unlike well-nigh planets containing an temper where the atmosphere is visibly more dense closest to the surface, planetary atmospheres in No Man's Sky are reversed as to provide a more dramatic transition when a histrion is taking off or landing on a planet.^[29] Other elements of their procedural generation system were made to suspension the realism that was previously built into the engine as to have more alien-looking planets and features be potential outcomes of the system, such as by introducing chemical elements that would enable dark-green-tinted atmospheres and allowing moons to orbit much closer than the laws of gravity would let to create impressive backdrops on planets.^{[3] [44]} To assure that the procedural generation worked well, the development team created the in-game equivalent of automated probes to visit the various planets and take images to review; this allowed for some tweaks to be made by human developers.^[45]

Later on updates to the game brought community-based short-term goals and later on Expeditions (fourth dimension-express brusque goal-driven missions with special customization options for completion). These were developed atop the Microsoft Azure cloud computing service rather than integrating these directly into the game client. This was washed to foreclose players from datamining the client to discover these before their release, but instead to push them out to the game through the deject service at the right time.^[46]

Music [edit]

English instrumental rock band 65daysofstatic contributed music for the procedurally generated soundtrack

No Man'southward Sky features a soundtrack by English post-rock band 65daysofstatic (65DOS), as well as procedurally generated ambience music composed past Paul Weir.^[47] The game uses a generative music system chosen Pulse developed by Weir, using a large library of loops, textures and melodies created by 65DOS to randomly create music to accompany the gameplay, reacting to the changeable terrain and becoming more or less menacing depending on whether a character is in danger.^{[48] [49]}

65DOS became involved in the project when Howdy Games, preparing their debut trailer, contacted 65DOS near using their song "Debutante" for it, as Murray had been a fan of the band.^[50] The developers sent forth some of the concept fine art so the ring could consider the offer. The band, impressed by what they saw, gave Hello Games their permission and offered to help create the rest of the game'southward soundtrack.^[51] 65DOS had been interested in doing a video game soundtrack post-obit their album Wild Calorie-free and subsequent alive tours, having used software tools to help craft more than interactive shows, and felt the same concepts could be practical to video games which are traditionally non-linear experiences.^[51] Initially, Hi Games asked 65DOS to create numerous songs in their band's style, with very little additional direction; the band described their didactics from How-do-you-do Games as "write the side by side 65daysofstatic anthology".^[52] At this point, Hello Games' intent would be to then take 65DOS' songs to tear downwardly into segments they could use for procedural music generation. However, the band wanted to be more than involved in the process, helping to deconstruct the songs themselves knowing of the broad approach Hello Games was taking for the game.^{[l] [51]} They developed a music sequencer logic organization for use within Ableton Live, and programmed extensions for Unity and FMOD that approximated the procedural generation approach Hello Games used for the game. They after used these to assist craft their songs, at times letting the procedural generation accept over equally to create a vast array of sounds.^[l] Subsequently, the band send these songs and snippets to Weir, forth with documentation on how to apply and alter some of the songs, to let him to comprise information technology into the game's soundtrack. Weir provided 65DOS feedback on some changes and additions, such as boosted arpeggios to use for some segments of the game.^{[50] [51]} Co-ordinate to 65DOS member Paul Wolinski, the band plans to explore more of these processes in further albums they will produce.^[l]

Weir besides developed a similar generative sound system for the ambient sounds within the game. Weir developed an audio procedural generation organisation chosen VocAlien that allowed him to create a system of animate being calls that can be readily contradistinct by adjusting a number of parameters.^{[48] [53]}

Ten original works and 6 soundscapes composed by 65DOS for the game was released on its soundtrack, No Man's Heaven: Music for an Infinite Universe, which released on both digital and retail formats alongside the game on 10 Baronial 2016.^{[52] [54] [55]} iam8bit released the soundtrack on a 2 LP-disc vinyl tape ready alongside the game's release.^[56] One gear up of songs in this soundtrack are 65DOS'due south compositions worked into a typical six-minute song, while the soundscapes are longer pieces that are comparable to 65DOS'due south original pieces without strict adherence to any length or format, representing their musical concepts they had considered in producing the songs for No Man'south Sky.^[51] 65DOS also plans to bout Europe and potentially other locations with the No Man's Sky soundtrack afterwards in 2016.^[54]

References [edit]

1. ^ Lee, David (19 June 2015). "Close-upwards on the 'almost aggressive video game'". BBC News . Retrieved 21 September 2015.
2. ^ ^{a b c} Cork, Jeff (19 December 2014). "The Secret Story Backside No Human being'south Heaven". Game Informer . Retrieved 19 December 2014.
3. ^ ^{a b c d due east} Morin, Roc (18 February 2016). "Inside the Artificial Universe That Creates Itself". The Atlantic . Retrieved xviii February 2016.
4. ^ ^{a b} Diver, Mike (4 Dec 2016). "How 'No Man's Sky' and 'Elite Dangerous' Harness the Feeling of Real Exploration". Vice. Archived from the original on 8 Nov 2020. Retrieved 18 May 2021.
5. ^ Sanchay, Pre (12 May 2021). Kalata, Kurt (ed.). "Now and Forever: The Legacy of the Star Control II Universe – Hardcore Gaming 101". Hardcore Gaming 101. Archived from the original on 12 May 2021. Retrieved 18 May 2021.
6. ^ Stuart, Keith (28 October 2014). "No Homo'southward Heaven creator: 'We wanted to build a universe'". The Guardian . Retrieved 21 September 2015.
7. ^ Davidson, Pete (eleven Dec 2013). "No Homo's Sky's "Future That Has a History"". US Gamer . Retrieved eleven Baronial 2016.
8. ^ ^{a b c} Fransisco, Eric (25 Oct 2015). "The Movies, Books, and Video Games That Influenced 'No Man's Sky'". Inverse . Retrieved 12 September 2016.
9. ^ Hinkle, David (9 December 2013). "No Man's Heaven is a sci-fi exploration roguelike in a consistent universe". Engadget . Retrieved 12 August 2016.
10. ^ Peckham, Matt (eight August 2016). "No Human'due south Sky is wildly ambitious, utterly vast and a huge claiming to the video game manufacture's status quo". Time . Retrieved 8 August 2016.
11. ^ ^{a b c d e f thou h i} Khatchadourian, Raffi (18 May 2015). "World without end : creating a full-calibration digital cosmos". Annals of Games. The New Yorker. Vol. 91, no. 13. pp. 48–57. Retrieved five August 2015.
12. ^ ^{a b c d} Robinson, Martin (20 March 2015). "The art of No Human's Sky". Eurogamer . Retrieved 11 August 2016.
13. ^ Kratsch, Benjamin (4 April 2016). "The galactic potential of No Human'southward Heaven". Red Bull . Retrieved four Apr 2016.
14. ^ ^{a b c} Wiltshire, Alex (3 August 2015). "41 Astonishing Things About No Man's Sky". PlayStation Blog . Retrieved 3 Baronial 2015.
15. ^ Gatson, Martin (7 Dec 2013). "Space adventure No Man's Sky is i of next-gen'southward most ambitious titles". GameSpot . Retrieved 9 Dec 2013.
16. ^ Meer, Alec (8 December 2013). "Whatsoever You Do, Watch This: Howdy Games' No Man's Sky". Rock, Newspaper, Shotgun . Retrieved ix December 2013.
17. ^ Silva, Marty (vii Dec 2013). "Joe Danger Dev Announces No Man's Heaven". IGN . Retrieved 9 December 2013.
18. ^ Diver, Mike (7 July 2015). "New 'No Man's Sky' Footage Leaves Us Thinking, 'That Escalated Chop-chop'". Vice . Retrieved 17 September 2015.
19. ^ ^{a b} Lee, Dave (12 June 2014). "E3: How No Human's Sky took on the games manufacture – and won". BBC News . Retrieved 12 June 2014.
20. ^ "Unfiltered episode 6: No Human being'southward Sky'due south Sean Murray". IGN. 4 May 2016. Retrieved 12 May 2016.
21. ^ ^{a b c} Parkin, Simon (12 July 2015). "No Man's Sky: the game where yous can explore eighteen quintillion planets". The Guardian . Retrieved 17 September 2015.
22. ^ Dring, Christopher (14 May 2015). "PlayStation'due south Gara talks price wars, Bloodborne, No Man'southward Sky and Blackness Friday". MCV . Retrieved 17 September 2015.
23. ^ Dunning, Jason (ix June 2014). "No Man'south Heaven Console Debut is First on PS4, New Gameplay Video Revealed". PlayStation Lifestyle . Retrieved 12 June 2014.
24. ^ Evans-Thirwell, Edwin (20 June 2014). "News: Hello Games isn't "currently talking" almost No Man'due south Sky on Xbox Ane". OXM. Archived from the original on 24 June 2014. Retrieved 22 June 2014.
25. ^ Corriea, Alexa Ray (1 August 2014). "No Man'southward Sky will come to PC, is a PS4 timed exclusive". Polygon . Retrieved eleven May 2015.
26. ^ Campbell, Colin (16 June 2015). "No Man's Sky launching simultaneously for PC and PS4". Polygon . Retrieved 16 June 2015.
27. ^ Livingston, Christopher (3 March 2016). "Sean Murray: No Man's Sky's NPCs won't make yous fetch "infinite-chickens"". PC Gamer . Retrieved 3 March 2016.
28. ^ Walton, Mark (8 Baronial 2016). "No Man's Sky patch removes exploits, dramatically changes the game". Ars Technica . Retrieved 8 Baronial 2016.
29. ^ ^{a b c} Branom, Mike (three September 2015). "'No Human being's Sky' Is the Coolest Video Game Ever". The Daily Beast . Retrieved 3 September 2015.
30. ^ Adept, Owen (19 Baronial 2014). "It'south impossible to visit every planet in No Man's Sky". Polygon . Retrieved 1 April 2016.
31. ^ Blevins, Tal (15 August 2014). "Gamescom 2014: The Sun Will Burn Out Before Y'all Run across All of No Man's Sky". IGN . Retrieved ane April 2016.
32. ^ Morgan, Thomas (10 Baronial 2016). "Tech Analysis: No Human being's Heaven". Eurogamer . Retrieved 10 August 2016.
33. ^ Hussain, Tamoor (xi July 2016). "No Man's Sky's 18 Quintillion Planets Take Up Only six GB on Disc". GameSpot . Retrieved eleven July 2016.
34. ^ Hall, Charlie (2 March 2017). "In the first, No Homo'south Sky was flat". Polygon . Retrieved 2 March 2017.
35. ^ Duncan, Grant (2 March 2015). No Man's Sky: How I Learned to Love Procedural Art. Game Developers Briefing 2015. YouTube. Game Developers Conference.
36. ^ Wilson, Mark (xvi July 2015). "How 4 Designers Built A Game With 18.4 Quintillion Unique Planets". Fast Company . Retrieved 9 August 2015.
37. ^ Oakes, Danny (9 August 2016). "No Man's Heaven Features SpeedTree Tech". SpeedTree. Archived from the original on 12 Baronial 2016. Retrieved 12 August 2016.
38. ^ Kratsch, Benjamin (nine August 2016). "Sean Murray Says Yeah to Space Whales". Inverse . Retrieved 9 August 2016.
39. ^ Parkin, Simon (22 July 2014). "No Man's Heaven: A Vast Game Crafted past Algorithms". MIT Technology Review . Retrieved 5 August 2015.
40. ^ Good, Owen (8 December 2013). "Wow. No Man's Sky Just Stole The Show At The VGX". Kotaku . Retrieved 9 December 2013.
41. ^ Jackson, Mike (8 Dec 2013). "Hello Games reveal 'adjacent-gen' sci-fi epic, No Man's Sky". Computer and Video Games. Archived from the original on 29 December 2014. Retrieved 9 December 2013.
42. ^ Newhouse, Alex (31 July 2015). "No Man's Sky Gets New Details About Stars, Natural Disasters, and Factions". GameSpot . Retrieved 22 August 2015.
43. ^ Savov, Vlad (1 July 2014). "This is the most ambitious game in the universe". The Verge . Retrieved 24 September 2015.
44. ^ Whittaker, Grand. Clay (thirty October 2015). "No Human's Sky Treads New Ground in Game Pattern". Popular Science. Archived from the original on 1 Nov 2015. Retrieved two November 2015.
45. ^ Tach, Dave (3 March 2015). "No Man's Heaven is and so big, the developers congenital space probes to explore it for them". Polygon . Retrieved 3 March 2015.
46. ^ Talbot, Carrie (27 October 2021). "How Microsoft'southward deject tech helps go on No Man's Heaven'due south Expeditions a surprise". PCGamesN . Retrieved 27 October 2021.
47. ^ Diver, Mike (18 February 2015). "'No Man'southward Sky' Sounds Astonishing, Literally". Vice . Retrieved four May 2015.
48. ^ ^{a b} Broomhall, John (5 Baronial 2015). "The audio of No Man's Sky". Develop. Archived from the original on 8 August 2015. Retrieved five August 2015.
49. ^ Mumford, Gwilym (23 June 2015). "No Man's Heaven: how a cult band created the game'south endless musical universe". The Guardian . Retrieved 1 July 2015.
50. ^ ^{a b c d eastward} Seppela, Timothy (eleven August 2016). "Crafting the algorithmic soundtrack of 'No Man's Heaven'". Engadget . Retrieved 12 August 2016.
51. ^ ^{a b c d e} Webstere, Andrew (21 April 2016). "How 65daysofstatic fabricated the sci-fi sounds of No Man'southward Sky". The Verge . Retrieved 21 Apr 2016.
52. ^ ^{a b} Dedman, Remfry (iv August 2016). "65daysofstatic – No Man's Heaven: Music For An Infinite Universe Soundtrack Exclusive Album Stream". The Contained . Retrieved 4 August 2016.
53. ^ Weir, Paul (18 June 2016). Encouraging Chaos, the Use of Generative Sound in No Man's Sky. Sónar-D. Retrieved 2 July 2016.
54. ^ ^{a b} Webster, Andrew (27 June 2016). "65daysofstatic are taking the No Man'due south Sky soundtrack on bout". The Verge . Retrieved 27 June 2016.
55. ^ Yin-Poole, Wesley (8 Apr 2016). "No Man's Sky'southward cool soundtrack comes out alongside the game". Eurogamer . Retrieved 8 April 2016.
56. ^ Frank, Allegra (3 March 2016). "No Human being'south Sky getting special $150 box set up from iam8bit". Polygon . Retrieved 3 March 2016.

coulombewastry.blogspot.com

Source: https://en.wikipedia.org/wiki/Development_of_No_Man%27s_Sky

Share this post